ART
SPACE
GRANTS
DATES
US

 

Artists

120 Broadway

Manuel Acevedo
Negar Ahkami
Kenseth Armstead*
Michael Cataldi*
Lishan Chang
Kevin Cooley*
Cesar Cornejo
Dave Eppley
Lilah Freedland
Marc Ganzglass
Rossana Martinez*
Jillian McDonald
John Movius
Laura Nova
Sarah Oppenheimer
Kristen Schiele*

200 Hudson St.

Yasser Aggour
Scott Andresen*
Hrafnhildur Arnardottir*
Michael Bilsborough*
Michelle Handelman
Yoko Inoue
Diego Medina*
Trong Nguyen
Xaviera Simmons
Mary Ellen Strom
Roberto Visani

Writers
Jill Magi*
Ranbir Sidhu*

Visiting Artists
Albert Heta, ArtsLink Fellow
Klaus Schafler, Workspace Fellow

On-Site Assistant
Angelo Angeles

* Audio interview


Inoue graduated from Hunter College with an MFA in 2000. Her work has been shown at the Brooklyn Museum, Art in General, Bronx Museum of Art, Von Lintel Gallery, all in New York City and other venues. She was awarded a Fellowship from the John Simon Guggenheim Memorial Foundation and has received grants from the he Joan Mitchell Foundation, the Franklin Furnace Archives Fund for Performance Art Award, a NYFA Fellowship in Sculpture, and Lambent Fellowship from Tides Foundation. Residencies include Skowhegan, Art Omi, Atlantic Center for the Arts, and .ekwc/European Ceramic Work Center in Holland among others.


Roadside Shrine, 2000-2006
Performance
“This performance is a result of my continuous research about connotations of the ‘spontaneous memorials’ and expression of the public sentiment in response to catastrophic events. I am interested in the immediate, temporary and ephemeral nature of these shrines as well as in the idiosyncratic or often commoditized offerings that create emotional impacts and sense of purpose.”
Click to enlarge



Mindmine, 2002
Installation; silk banners, cotton pillows, coin-operated kiddie ride (custom paint, white elephant) hand-built ceramic vessels, sea salt, rice, beans, wooden wine boxes, dollies, bed springs and collapsible shopping cart
“I created an installation that methodically filled the gallery with thousands of hand-cast ceramic objects that I had ‘mined’ from street vendors, 99-cent discount shops and Chinatown souvenir shops. It is the continuation of my exploration of the historical relationships between people and everyday domestic objects, which I find most prevalent in the transient cross-cultural merging of the urban street commerce.”
Click to enlarge