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Artists

120 Broadway

Manuel Acevedo
Negar Ahkami
Kenseth Armstead*
Michael Cataldi*
Lishan Chang
Kevin Cooley*
Cesar Cornejo
Dave Eppley
Lilah Freedland
Marc Ganzglass
Rossana Martinez*
Jillian McDonald
John Movius
Laura Nova
Sarah Oppenheimer
Kristen Schiele*

200 Hudson St.

Yasser Aggour
Scott Andresen*
Hrafnhildur Arnardottir*
Michael Bilsborough*
Michelle Handelman
Yoko Inoue
Diego Medina*
Trong Nguyen
Xaviera Simmons
Mary Ellen Strom
Roberto Visani

Writers
Jill Magi*
Ranbir Sidhu*

Visiting Artists
Albert Heta, ArtsLink Fellow
Klaus Schafler, Workspace Fellow

On-Site Assistant
Angelo Angeles

* Audio interview


Nguyen is an artist and curator in New York. Born in Vietnam and raised in the United States, Nguyen holds an MFA degree in Painting from the University of South Florida. He has exhibited nationally and internationally in both solo and group exhibitions, including the 2006 Havana Biennial, Socrates Sculpture Park and Tenri Cultural Institute, both in New York City, and the upcoming Peekskill Project. He has received grants from the Foundation for Contemporary Art and the Puffin Foundation. He has curated and exhibited in numerous shows, with reviews in publications such as The New York Times, TONY, The Village Voice, Paper Magazine, New York Arts Magazine, and others. Additionally, he has spoken at Columbia University and the Catalyst Foundation while also serving as art and curatorial advisor to Art for Change, -Scope Art Fair, and Vietnam-New York Projects.


Messages From Guantanamo, 2005
Installation; 200 glass and plastic bottles
“These bottles (from Cuba) contain notes, photographs, leaflets, objects, and evidential, SOS variety of materials set adrift “directly” by detainees at Guantanamo Bay, washed ashore on Miami Beach. After four years, many of the remaining 500 inmates held as ‘enemy combatants’ at the Guantanamo naval base still have not been charged with any crime by the US government. This project speaks out against the atrocities being committed 90 miles away.”
Click to enlarge



Women’s Room, Serbian Prison Camp 1992 from the series Floor Plans, 2005
Cut grass installation
“This installation is a life-size architectural floor plan re-created from a real-life account of a survivor who was kept in such a ‘women’s room’ for the purpose of being raped by enemy soldiers. By being able to walk on the lawn, the viewer is made physically aware of the ‘event’ and rendered ‘complicit’ to the trauma.
Click to enlarge