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November 29, 2007

EXHIBITION: MINI CONCERTS IN BACK ALLEYS

DATE: Saturday, December 1, 2007
ON VIEW: One Day Only At Various Locations throughout Lower East Side (see schedule)
HOURS: 2:00 – 11:30 PM

SMITH-STEWART is pleased to present MINI CONCERTS IN BACK ALLEYS, a one-day series of performances in and around the Lower East Side. A schedule of each performance location and time will be provided.

Mini Concerts will make various interventions on sites chosen by each artist throughout the Lower East Side. Be it on a mews or median, in an alley or cellar, each site specific location marries the audience to the performance, which collectively can only be described as shiny moments in dusty corners. In addition to being site specific each performance is time specific. All performances are between 5 and 15 minutes long, and are only performed once, serving to expose the drama of time. In a land where before and after are as significant as the during, the planned meets the impromptu and the important meets the forgotten.

SMITH-STEWART is located on 53 Stanton Street, between Forsyth and Eldridge Streets.
Gallery Hours are Wednesday through Sunday from noon to six. The nearest subway
stops are 2nd Avenue/Houston Street on the F and V lines, Grand Street on the B and D
lines and Bleecker Street on the 6 line. For more information, please contact the gallery
at amy@smith-stewart.com, 212.477.2821. Or visit the website: www.smith-stewart.com.

Brian Belott works himself into a shamanistic trance via repetitive rhythms and utterances that somehow function in a place between ingratiating and grating, irritating and irresistible.

Brian Bellot makes collage art, found art, performance art, and books, inspired by his cat Ming. He proudly hails from New Jersey and recently launched a new book Wipe That Clock Off Your Face published by PictureBox. A solo exhibition, of Brian's Swirly Music will be on view in December at Canada Gallery.

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Mark Beasley and Rose Kallal will collaborate on a performance of spoken word, drums, analog synth drone with 16mm loops combining color, light, and geometric forms.

Mark Beasley, an artist, writer, and scholar from London, has been reborn as a curator/producer for Creative Time in New York. Between 2004-2005 he was the Stanley Picker Research Fellow in Fine Art at Kingston University, London and has lectured internationally on issues related to contemporary art.

Rose Kallal creates multiple 16mm film loop installations that combine primordial imagery and abstracted forms, accompanied by live sound performance that draws from doom drone, minimalism and ambient. Her work has been shown at P.S.1, GBE at Passerby, NADA Miami, and most recently with Creative Time for the VS performance series.

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Caroline Breton is a professional actress for the National Theater in Paris and a performance artist. She studied Theater and Acting at E.R.A.C. Paris, France. She channels intuitive elements of song, piano, cello, dance and ritual throughout her performances.

Caroline Breton will perform IN VENIRE/IN UTERO 15 minutes of primitive, sorcerer theater, ephemeral with chalk, commending the muse’s gobbeldygook.

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Mind Castle writes songs that touch on such diverse topics as the JFK assassination¨ as told through the Oliver Stone film JFK, zombie parties, huts made entirely out of denim and journeys to the spirit world, Mind Castle hope to have fun and blow some minds.

Mike Force is a designer and illustrator who has worked on various music, fashion, and print projects including Fuse TV, The New York Press, Steven Alan, and Book Magazine. He illustrated Welcome to the Land of Cannibalistic Horses, a collection of essays from the Editor of Chiefmag.com.

Kate Ford makes art and likes to build castles out of sand.

Dan Perrone is a photographer and the creator of Uokahd (tapelake), an interactive audio. His artistic endeavors have been shown internationally.

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Arctic Circle is Tyler Burba, Jen DeNike and Carlton DeWoody. Guided by prevailing winds, they have found where the good stuff is. Over the past several years, they've bumped up the fun for kids with their PlayZones. Now in many of their restaurants, these wonderlands of slides, climbers, spring toys, and crawl tubes keep even the most energetic kids entertained. This week they will be performing their winter songs at sunset.

Tyler Burba is a musician, poet, philosophy scholar, and teddy bear Buddhist. His solo album Visit (surrealist lyrical tunes with cowboy poetry) was launched in 2006 by Farfalla Press; snowboots a collaborative project with DeWoody, is currently recording their premiere record, "Greatest Hits". Pending his PHD dissertation from European Graduate School in Switzerland, he plans on attending seminary for ordination at the General Theology Seminary in New York.

Jen DeNike has recently been studying light and collecting stones in the Arctic Circle. She is currently in production on a new video Gold Stars, a divine manifestation of these trips. Her next solo show in NYC will be February 2008 at Smith-Stewart.

Carlton DeWoody, born and raised in New York by an artist and collector, cannot take credit for his well-honed eye and ear, but makes sure to honor the blessing and respect the tingle. He studied music at Tulane University, philosophy at the University of Colorado, and poetry at The New School. His fine art training occurred years earlier in kindergarten at The Town School. He likes colors, sounds, and stuff that is fuzzy. He loves the names of things, but wants to change them. If you like potato chips you’ll love his band snowboots.

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Mads Lynnerup works in various forms of media from Shish Kebab meat and cardboard to installations using video and performance. His work challenges the idea of what art is and can be. Mads' work is currently on view at the Herbert F. Johnson Museum of Art (Cornell University) and has been exhibited at LACMA (Los Angeles), Mori Art Museum (Tokyo), Zacheta National Gallery of Art, (Warsaw), Kunsthalle Fridericianum, (Kassel) to mention a few.


Taking his inspiration from everyday life Lynnerup comments and draws attention to situations that might otherwise get overlooked in the day to day. Most of his work takes place outside in public setting, where he can create an interaction with his environment and the intended audience. For his performance Mads will be handing out custom made flyers to by passers commenting on the location and specific situation.

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Rachel Mason has been working for several years on the Hamilton Fish Opus, a historical fiction mystery saga based on their lives and misadventures of the two men, their family members and victims. The opera will be performed in various locations in the city where real events occurred. She will perform The Duel of Hamilton Fish, which is the prologue, on the steps of the Hamilton Fish Park.

On January 16, 1936 the front page of the Evening Star Newspaper of Peekskill ran two stories announcing the deaths of two unrelated men both sharing the name Hamilton Fish. One, a serial killer, was set to die that evening by electric chair at Sing Sing prison, the other, a descendent of the political line of Hamilton Fish's for which the park is named, died the previous day in South Carolina.

Mason received her B.A. From UCLA and M.F.A. From Yale in 2004.
Recent performances include a concert with her band at Art in General, a performance of Carlos II at Newman-Popiashvilli Gallery and a performance at 1830 in Los Angeles. Upcoming shows include a December 6, 2007 concert in Miami at NADA and exhibit at Karma International, on December 20 her second Ambassadors Album will be presented with figurines and a performance at Printed Matter. January 12 2008 exhibition of new work based on the Presidential campaign "2008" at Circus Gallery in Los Angeles. She will be performing in February in Los Angeles at JMOCA and 1830. She is also collaborating on a writing project with Will Blythe based on their campaign travels.

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Dirt Mound will perform You better look into it! Strange things happened there a 13 minute performance with a cast of oddly dressed characters and drawn paper figures will perform a memorial service for the forgotten children of Sonoma State. Dirt Mound is a free-form collective ripe with spontaneous sympathy, commemorative callings, erratic sounds and allegorical movements.

During the 1950's and 1960's Sonoma State Hospital in California housed some 3,500 children with diverse needs, from babies born with minor defects; to children with epilepsy and Down syndrome. The United States Government secretly used many of these children in radiation experiments. After much suffering most died early and were buried in an empty field without a headstone to mark their passing.

Elizabeth Huey founding member of Dirt Mound makes paintings, videos and installations that excavate imagery culled from history surrounding mental health, hospitalization and healing.

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Georgia Sagri’s piece is initially divided between two privileged areas of expression. On the one hand, fierce, seductive ritualistic performances exposing a celebratory body to the public eye, putting the viewer in a voyeuristic position of pleasure and desire. On the other hand, manic, idiosyncratic drawings, marks, ephemeral installations seem to emanate from a blast point on the paper and create locations in order to diffuse existed forms, to spread territories, to stage new gestures combined with lyrics as an ongoing process of illuminating rhythms. She will perform at night using the backdrop of benign public toilets.

Georgia Sagri uses various media such as sculpture, drawing, sound, text and movement to create situations of seduction and celebration, or as she likes to call her performances ‘examples of crisis’. She has exhibited widely in Europe and the U.S. Her work is currently on view at the 1st Athens Biennial and the Fractured Figure exhibition at the Deste Foundation. She is a second year MFA student at Columbia University.

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The band Y.O.U. will perform a live version of its annoyingly catchy single 5,4,3,2,1 (I LOVE Y.O.U), for the first time in history. The re-united band members Eric, Eric, Eric, Eric and Eric will perform at precisely 5:43:21 p.m. The performance of Y.O.U. will be produced, in part, thanks to the generosity of Sugar. Sugar is proud to sponsor emerging artists working in a variety of mediums. Sugar would like to remind you to Add Sugar™.

Behind Y.O.U. is Eric Adolfsen. Eric earned degrees in Art Semiotics and English at Brown University. In 2007 he completed his MFA at the Yale School of Art and was awarded the Barry Cohen Scholarship. He has participated in several shows, most recently the upcoming X Visual
Exhibition in Shenzhen, China this Fall. In addition to his personal practice of Making Pretend, Eric presently works as an Art Director at Brand New School in New York City.

November 27, 2007

All You'll Need is Love

7pm, Tuesday, December 11, 2007
L'Orange Bleu Restaurant
430 Broome Street (corner of Lafayette)
RSVP at (212) 226-4999 and be punctual.

If you love performance art and good food, Art Hijack and Dance Gang (Will Rawls/Kennis Hawkins) present a special project that is sure to fill you up with both. The artists have chosen four contestants from right here in New York City to play Romeo and Juliet in a unique performance that is a sincere, humorous blend of the original Dating Game television show, William Shakespeare, and The Da Vinci Code.

The drama starts at 8 p.m. at both restaurant L'Orange Bleu (430 Broome Street) and ISE Cultural Foundation. A live Internet feed links the two locations. Ideally, you want to be in the restaurant, where all the action is visible while you eat and drink. Intentionally complicating matters by communicating in many modes, artists and audience work to uncross the stars, and ultimately, make a love connection.

Other guest artists include Marci MacGuffie, musicians Jeremy Linzee (Summer Lawns) and Fred Thomas (Saturday Looks Good to Me); and a special death-defying appearance by Marcel Duchamp, as multiples of himself and his cross-dressing alter-ego Rose Selavy (a pun on the French phrase Eros, c est la vie).

For more information, please contact curator Margot Norton and the ISE Cultural Foundation at (212) 925-1649, or email margotnorton@hotmail.com.
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LOOKING FOR LOVE?

To be considered for one of the four contestant spots, please send an email to arthijack@gmail.com with the following information:

Name
Telephone
Email
Photo jpeg of yourself (or MySpace, FaceBook URL, etc)
Age
Sexual orientation
and
Preferences (optional), special talents and addictions, description of your ideal mate, etc.

William Cordova and Amie Siegel will be in the 2008 Whitney Biennial

William Cordova and Amie Siegel, former LMCC artists in residence, have been selected to be in the 2008 Whitney Biennial!

The curatorial team for the 2008 Whitney Biennial has selected 81 artists for the exhibition, which opens at the Whitney Museum of American Art, 945 Madison Avenue at 75th Street, on March 6, and runs through June 1, 2008. Since its founding in 1932, the Biennial has evolved into the Whitney’s signature exhibition as well as the most important survey of the state of contemporary art in the United States today. The exhibition will occupy the entire Museum, with the exception of the fifth floor, which is devoted to the permanent collection. The 2008 Biennial is curated by Henriette Huldisch, Assistant Curator at the Whitney, and Shamim M. Momin, Associate Curator at the Whitney and Branch Director and Curator of the Whitney Museum at Altria, and overseen by Donna De Salvo, the Whitney’s Chief Curator and Associate Director for Programs. Three advisors worked with the curatorial team throughout the process: Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem; Bill Horrigan, Director of the Media Arts department at the Wexner Center for the Arts at Ohio State University; and Linda Norden, independent curator and writer. For the first time, the Whitney is collaborating with the Park Avenue Armory and Art Production Fund (APF), to provide the Biennial with a second venue in the historic Seventh Regiment Armory building, at Park Avenue and 67th Street.

The Armory will be the setting for a series of performances, temporary installations, events, and other public programs by Biennial artists from March 4 to March 22, creating an opportunity to present works that could not be accommodated within the Whitney’s walls and remaining true to the fluid, interactive way in which these works were conceived. Donna De Salvo noted, “The Biennial is a laboratory, a way of taking the temperature of what is happening now and putting it on view. It influences our thinking on multiple levels and, for the Whitney, translates directly into the choices we make about our exhibitions and collections. In dealing with the art of the present, there are no easy assessments, only multiple points of entry. For the Whitney, and for our public, we hope the Biennial is one way in.”

History
The prototype for the Biennial debuted soon after Gertrude Vanderbilt Whitney opened the Whitney Studio Club in Greenwich Village in 1918. At a time when
American artists were struggling to free themselves from the prevailing art and culture of Europe, the Studio Club was an alternative space where artists could gather and display their works in annual survey exhibitions. These small, early versions of the Biennial created the first major public forum for contemporary American art, as well as a means for the advancement and assimilation of modernism into the predominantly realist tradition of American art. Many artists who would later be counted among the most important figures in 20th -century
American art had their first exhibition opportunities at the Whitney, including Milton Avery, Philip Guston, Edward Hopper, and Georgia O’Keeffe.

In 1931 the Whitney Museum of American Art opened to the public, and the first
Whitney Biennial was introduced in 1932. The 2008 Biennial will be the 74th in the series of Whitney Annual and Biennial exhibitions held since 1932, the same year that the Museum established an acquisition fund for purchases from each Biennial exhibition. The early Biennials alternated painting with sculpture and works on paper; selections were made, at first, by the artists and then by curators. In 1937, the program was changed to Annual exhibitions of separate media (painting displayed in the fall, and sculpture and other media in the spring). In 1973 the current program of Biennials of combined media was instated.


November 20, 2007

Window Collection III by Pamela Lawton

On view at 180 Maiden Lane
located in the Atrium Lobby
Hours are 8:30 AM to 5:30 PM, Monday through Friday.

Window Collections III is a new series of site-specific, mural-scale oil paintings and works on paper by Pamela Lawton. The current work is an outgrowth of her artist's residencies at the Lower Manhattan Cultural Council's (LMCC) World Views program at the World Trade Center as well as at the LMCC's Swing Space. While an Artist-in-Residence at the World Trade Center, Lawton became hypnotized by the wavering window reflections of Tower Two in the Deutche Bank Building across Liberty Street. Her new mural-scale work examines the same transient phenomenon from street level, focusing on the awe-inspiring architecture of a Lower Manhattan glass curtain, the building 180 Maiden Lane. Her work is based on observation, yet results in an intricate array of lines, color and pattern that compose fluid abstract paintings. She takes the contemporary vertical skyline of architecture and reinvents it through gridded, composite paintings, rendering ephemeral reflections with a sensitivity to time-based light that employs the technique of plein-air painting, or outdoor painting in the manner of the Impressionists, filtered through the lens of the 21st century urban landscape.
For more information, go to www.pamelalawton.com

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AMERICANS IN NEW YORK curated by Ami Barak

Mathew Day Jackson, Marc Ganzglass, Jill Magid, Laurel Nakadate, Mika Rottenberg

OPENING SATURDAY NOV. 24 4-9PM
at
Galerie Michel Rein
42 rue de Turenne- F75003 Paris
tel 00 33 1 42 72 68 13
Ouvert du mardi au samedi, de 11h à 19h/ Open Tuesday-Saturday, 11am-7pm

galerie@michelrein.com

November 19, 2007

Jamie Davidovich: Television and Video Works: 1970-2007

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November 16, 2007

Call for Teaching Artists for Early Childhood Arts-in-Education Programs

The Arts-in-Education Program at Henry Street Settlement’s Abrons Arts Center is seeking teaching artists in visual arts, fabric arts, music, creative movement and drama with experience working in early childhood settings. Demonstrated experience in arts-integrated curriculum development and lesson planning is preferred.

Please send a resume, cover letter and sample lesson plan for an hour-long early childhood class based on a theme, book or other idea of your choice to Nellie Perera, Arts-in-Education Manager, at nperera@henrystreet.org or Abrons Arts Center, 466 Grand Street, New York, NY 10002.

November 15, 2007

Red Badge of Courage Curated by Omar Lopez-Chahoud

October 28 to December 7, 2007

The Newark Council for the Arts is pleased to present "Red Badge of Courage" featuring new work by sixty-six artists from New Jersey, New York and abroad in a 13,000 square foot space in downtown Newark. Curated by Omar Lopez-Chahoud, the exhibition is based on the life and work of 19th- century writer/poet/journalist Stephen Crane, a native of Newark, NJ. Although he died young -- at age 28 -- Cranes work and life have inspired many artists throughout the years: His portrait was used by the Beatles on the cover of their album "St. Peppers Lonely Hearts Club Band". The 2001 film The Dark Riders was based on a Crane poem. And there have been a number of film versions of "The Red Badge of Courage," the most famous of which was directed by John Huston and released in 1951. "The Red Badge of Courage" tells the story of a young mans life as a soldier during the American Civil War.

More than a hundred years after Cranes death, the artists in “Red Badge of Courage” draw historical references as a tool to interpret and represent their concerns with contemporary society. Newark is a city rich in history, from the 19th century manufacturing boom through the depression years and past that to the infamous 1960's riots. But Newark is going through many changes and to become a major economic and cultural center again.

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NACRE:A project by Luca Bertini and Marco Antonini

from October 26 to November 23, 2007. 6-8pm.
ISE Cultural Foundation, NY gallery
555 Broadway, New York, New York10012, USA
Phone: 212-925-1649

The Pearl originates its beauty and singularity by reacting to external interferences. Organic materials, parasites and even mantle tissue of the oyster itself are considered a threat, and covered in nacre. Also known as “mother of pearl”, nacre is composed of hexagonal platelets of a substance called aragonite.
Luca Bertini and Marco Antonini's NACRE is an ongoing project in which data inconsistencies retrieved from the net bloom into an ever-changing sprawling structure. Interferences and anomalies (the multi-faceted constituents of networks that are no longer able to produce a linear, unequivocal reality) are perceived as a hostile external body.

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NACRE exists to give shape to this underworld of deceptive, ambiguous data, in a way that is neither creative nor critical. Its chaotic structure is built from huddling hexagonal platelets designed over information collected by a spider (an automatic computer program which crawls the net in search of data).

NACRE has a completely different approach to the economy and ecology of information. Its peculiar treatment of fragments of data sustains a completely useless, anti-iconic entity.

Unwilling to decipher a complexity which is perceived as completely unmanageable, scary and beautiful, NACRE stubbornly tries to protect itself from a overwhelming reality with its frantic, abnormal growth.

Marco Antonini lives and works in New York. He is an active writer, curator, graphic designer and a gallery educator at both PS1 Center for the Arts and the Solomon R. Guggenheim Museum. His articles, essays and interviews have been featured on the pages of Contemporary, BMM, NY Arts Magazine, D, Arte&Critica, Flash Art.

Luca Bertini lives and works.

November 14, 2007

2008 Residency Season at the Artists’ Enclave at I-Park

Application Deadline: December 31, 2007

I-Park announces its eighth season hosting The Artists’ Enclave. Artists’ residencies, self-directed/project oriented, will be offered from May through November 2008. Most sessions are four weeks in duration. Residencies will be offered to visual (including digital) artists, music composers, environmental artists, landscape and garden designers, creative writers and architects. Work samples will be evaluated through a competitive, juried process.

There is a $20 application processing fee required and artists are responsible for their own transportation to and from the area. They also provide for their own food and work materials. The facility is otherwise offered at no cost to accepted artists.

I-Park is a 450-acre natural woodland retreat in rural East Haddam, Connecticut. Accommodations include comfortable private living quarters in an 1850’s farmhouse, shared bathroom facilities and a private studio on the grounds. An electric kiln, music equipment, wireless internet and library facilities are provided.

International applicants welcome. To defray the cost of travel, a $1,000 grant will be offered in 2008 to two international artists whose work is held in particularly high regard by the selection committee (details to follow).


For additional project information, go to our website: www.i-park.org. Application materials for 2008, including an in depth FAQ, will be available September 1, 2007 and will be available for direct download from the website (Residency Program section).

E-mail: ipark2002@ureach.com. Phone: 860-873-2468.

Opportunity for NY arts-educators!

World Savvy’s Global Youth Media and Arts Program: Immigration + Identity

Information Session
Tuesday November 27, 6-8pm
4 Times Square, Room 38-400 New York, NY 10036

Are you a school or after-school educator? Do you want to participate in a free innovative art and media program focused on global issues? Come learn about the Global Youth Media and Arts Program!

The Global Youth Media and Arts Program (MAP) is an arts education program for youth ages 12-18 in New York and San Francisco. With the MAP, youth use their own lives and communities as a platform to examine global themes such as Immigration and Identity. Each year World Savvy selects up to 15 school and after-school arts-educators to participate. We then provide professional development workshops and resources for teachers; classes and artist-led fieldtrips for youth; and coordinate a culminating exhibition and Festival. The 2008 Festival will be held at The LaGuardia Performing Arts Center and include a professional art exhibition, film screenings and performance.

Participant Educators Receive:
A Curriculum Guide containing lesson plans, classroom tools, & arts resources
Professional Development Institute: World Savvy provides tools, training and curriculum to address the global theme with students
One-on-one consultations with World Savvy for curriculum planning and research
Ongoing support in developing and implementing global curriculum during the MAP
2 Creative customized Workshops that focus on the global theme & global fieldtrips to NY arts institutions and communities
The Global Youth Media and Arts Festival—a professional public exhibition and performance showcase for all!

Please RSVP with Victoria Restler, Senior Program Associate at 212-759-2307 or victoria@worldsavvy.org to attend the November 27th Information Session.
4 Times Square, Room 38-400 New York, NY 10036

Downtown Brooklyn Partnership Announces Open Call to Cultural Organizations for BAM Cultural District

The Downtown Brooklyn Partnership (Partnership), in cooperation with the New York City Department of Cultural Affairs (DCA) and in consultation with the New York City Economic Development Corporation (NYCEDC), is pleased to announce an Open Call to cultural organizations interested locating in the BAM Cultural District. All proposals will be reviewed on an ongoing basis. Interested arts and cultural groups may schedule a meeting with the Partnership to review proposals or ideas for projects in the Cultural District. The Partnership will evaluate potential projects with NYCEDC and DCA. Due to the timeline for development of the District, all inquiries regarding projects for consideration must be made by Friday, December 14 at 5 p.m. Nonprofit arts organizations interested in developing projects as part of this Open Call should review the Information Guidelines available on the Partnership's website (dbpartnership.org/opencall) and contact the individuals below with any questions or to schedule a proposal development meeting.

Contact Information:
BAM Cultural District
Downtown Brooklyn Partnership
info@dbpartnership.org
Katie Dixon, 718.403.1646
Doug Giuliano, 718.403.1634

Literary Events Throughout the Year

Looking for a big, beautiful independent book store with a plethora of events to serve all your various literary needs? Check out McNally Robinson NYC, located conveniently in SoHo. Their full calendar offers events almost every night, providing programs for the whole family. Check them out here.

November 8, 2007

Now Playing: Milk-n-Honey, supported by LMCC

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Milk-n-Honey, a new multimedia piece about the pleasures and politics of eating -- featuring song, dance, video, and food.  Created from interviews with farmers, flavor chemists, migrant workers, advertising execs, chefs, waiters, diabetics, and regular people who eat.  

Playing now at 3-Legged Dog, 80 Greenwich Street (@Rector).

Buy tickets at: http://www.brownpapertickets.com/event/18731

Running now thru November 18. 
Wednesday-Saturdays at 7:30pm
Sundays at 3pm
Mondays at 7:30pm

The New York Times says: "“Milk-n-Honey” is an honest attempt to move beyond simple narrative drama and expand the role of theater. In function if not form it resembles Brecht’s lehrstücke, or learning plays, and its sense of mission is appealing. It also goes beyond the stage. After each show the theater becomes a cafe, with free-trade coffee and cupcakes made by the Lower Eastside Girls Club and discussions, cooking demonstrations and further excursions into food activism."

November 5, 2007

On The Third Day

On The Third Day
12 Warren St. 5th floor
(between Broadway and Church)
New York, NY 10007
Sunday - Thursday, 10am-6pm
also by appointment, call 646.400.8474
www.the3bgroup.com

See Press Release for more information
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Jillian McDonald: Waking The Dead

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BIRTH OF PATTERN: Negar Ahkami, IMPERFECTIONISM: Nava Lubelski

Two solo projects at LMAKprojects(Williamsburg) organized in collaboration with Sara Reisman

November 9 to December 16, 2007
Opening reception: Friday, November 9 from 7 to 9 pm

LMAKprojects(Williamsburg):
60 North 6th Street, Brooklyn, NY 11211 - 718 599 0089 www.lmakprojects.com/upcoming_index.htm

Gallery hours: Saturday and Sunday from 1 to 6 pm and by appointment: 212 255 9707