Stephen Vitiello at Museum 52, London
1999 LMCC resident Stephen Vitiello open a show at Museum 52 in London:
Also check out Museum 52's new space in New York: http://museum52.com/new_york/index2.php
« January 2008 | Main | March 2008 »
1999 LMCC resident Stephen Vitiello open a show at Museum 52 in London:
Also check out Museum 52's new space in New York: http://museum52.com/new_york/index2.php
2000-2001 LMCC resident Sanford Biggers lectures on the Subjective Histories of Sculpture:
SculptureCenter Lectures at The New School
Subjective Histories of Sculpture II
At the Theresa Lang Center at The New School
55 West 13th Street, 2nd Floor, New York City
$5 General Admission, SculptureCenter Members and Students Free
For tickets call 212.229.5488 or write to boxoffice@newschool.edu
Subjective Histories of Sculpture II furthers SculptureCenter's exploration of how contemporary artists think about sculpture - its contingencies and its legacies. Three artists at various stages of their careers have been invited to present their own take on art history. They cite as examples specific works, bodies of work, texts, or even personal anecdotes - taken from inside and outside cultural production, and inside and outside "art". These subjective, incomplete, partial, or otherwise eclectic histories question assumptions and examine ways of viewing the old and the new. They also propose structures that lend themselves to understanding sculpture's evolving strategies through an observation of behaviors, dreams, and mistakes over the course of human civilization.
Sanford Biggers
Monday, March 3, 6:30pm
Sanford Biggers was born in Los Angeles in 1970. Influenced by a two-year stay in Nagoya, Japan, and by a multitude of cross-cultural references, Biggers' installations incorporate the study of ethnological objects, popular culture and icons, and Dadaist strategies. His work cross-pollinates different disciplines and philosophies, bringing them together in the course of his explorations and studies. Biggers also includes performative elements into his work, creating layers of reading that act as anecdotal vignettes. Sanford Biggers has exhibited internationally since 2000; he has participated in many important exhibitions including Freestyle and Black Belt at the Studio Museum in Harlem, the 2002 Whitney Biennial, Performa 07, and Illuminations at the Tate Modern in London (2007). He currently lives and works in New York.
SculptureCenter
44-19 Purves Street, Long Island City
718 361 1750
www.sculpture-center.org
We're gearing up for the busy season ahead here at LMCC, as we approach the Downtown Dinner our annual spring benefit. So, we're looking for a few good interns in these areas:
As a part of the LMCC team, all interns receive a $250 monthly stipend and/or university credit. Interns also have access to all LMCC events, including professional development workshops, private artists’ talks, and events at the LMCC/Workspace artist residency program.
Visit this page to read more about these internships and application instructions!
2004 artist-in-residence and Swing Space grantee Carlos Motta is currently showing at the Institute of Contemporary Art (ICA) in Philadelphia.
Carlos Motta, The Good Life, video still
Tegucigalpa, Honduras, 2005-2008
CARLOS MOTTA: THE GOOD LIFE
January 18 - March 30, 2008
INSTITUTE OF
CONTEMPORARY ART
University of Pennsylvania
118 S. 36th Street
Philadelphia, PA 19104
From the Press Release:
The Institute of Contemporary Art (ICA) is pleased to present “Carlos Motta: The Good Life,” the first museum presentation of an ambitious work by Carlos Motta, on view January 18 - March 30, 2008. “The Good Life,” a long-term, in-progress, experimental documentary project, engages and critiques documentary practice itself. It is a relevant examination of the regional history, perception and effects of US interventionist policies in Latin America, at a time of global critical awareness of those politics.
Since 2005, Carlos Motta has recorded over 300 video interviews with civilians on the streets of twelve cities in Latin America. The questions he asked, on individual perceptions of US interventionism and foreign policy, democracy, leadership, and social inequality, resulted in an extremely wide spectrum of opinion, which varies according to local situations and forms of government in each country. The resulting footage is the basis of “The Good Life.” Informed by conceptual documentary traditions the project references the approach of cinema vérité classics such as Chris Marker’s Le Jolie Mai (1963) and Vilgot Sjöman’s I am curious (Yellow) (1967), which began to study the notion of public opinion as mediated construction.
In this iteration, created for the Project Space, Motta’s interviews with persons in Bogota, Buenos Aires, Managua, Mexico City, Santiago and Tegucigalpa, serve as both a conceptual and formal framework. Arranged in an open structure that evokes a classical space for the exercising of democracy, these conversations shed light on the effects of political intervention, and the public perception of political concepts, on the formation of national and individual subjectivities. The exhibition also comprises a series of accompanying photographs, shot during visits to each city, and a takeaway poster featuring texts commissioned from artists Ashley Hunt, Naeem Mohaiemen and Oliver Ressler; and political philosopher Maria Mercedes Gómez that answer the question, “What is democracy to you?”
Related Events:
Conversation: Carlos Motta and Ann Farnsworth-Alvear
February 27, 7PM
Join us for a conversation between historian Ann Farnsworth-Alvear, director of Penn’s Program in Latin American Studies, and artist Carlos Motta, as they discuss their respective explorations of Latin American history and politics through scholarship and art.
Workshop: What is Democracy to You?
March 7 - 9, 1PM
In conjunction with this exhibition, artist Carlos Motta and curator Stamatina Gregory will lead a three-day workshop with a group of interested participants. Together we will approach the question “What is democracy to you?” from a variety of perspectives in an attempt to create a set of meanings, responses, problems and solutions around this concept. If you would like to participate, can commit to all sessions, and have ideas to contribute, let us know why this question is important to you (one page or less) at sgregory@upenn.pobox.edu by February 20. The program is limited to 10 core participants, who will be selected to represent a diversity of opinions and interests. This event however is also open to the general public.
FACEWORK
Solo show at Luxe Gallery, 53 Stanton
February 15th - March 16th 2008
Opening February 14th, 7-9PM
SOAPBOX EVENT
A mass performance at the Federal Hall National Memorial
28 Wall Street
Workshops in February - March and final event on April 5th, 2-5PM
Come, see, and participate!
BOOK TALK
Pia Lindman: "Three Cities, Rivers, Monuments", 2007
panel talk with Giuliana Bruno, Christian Rattemeyer, Lisa Saltzman, and Michael Sorkin
Storefront for Art and Architecture Gallery, 97 Kenmare St
March 21st, 6.30PM
For more information, go to: http://web.mit.edu/pialindman/
Lilah Freedland, dream as though you'll live forever, live as though you'll die today (2003)
The New Authentics: Artists of the Post-Jewish Generation
The Spertus Museum, Chicago, USA
‘Jewish art does not exist,’ writes Margaret Olin, not inflammatorily but factually, referring to the Second Commandment that prohibits both the creation and idolizing of graven images. This prohibition is just one of at least 613 Halakha, the laws that guide Jewish life, both spiritual and practical, from kosher cooking to image-making. Click here to read the full review.
2006-2007 artist-in-residence Yasser Aggour is in a show opening Thursday, February 28, 6-8PM at carriage trade.
The Cult of Personality: Portraits and Mass Culture
carriage trade
94 Prince St. 2nd fl New York, NY 10012
open Thursday through Sunday, 1 pm - 6 pm
featuring work by:
Yasser Aggour
Jennifer Dalton
Vitaly Komar
Bill Owens
Sherrie Levine
Paul McCarthy
Ligorano/Reese
Muntadas and Reese
Karen Yama
Julia Wachtel
As the U.S presidential campaign kicks into high gear, the exhibition "The Cult of Personality, Portraits and Mass Culture" investigates the relationship between celebrity and political personas within the context of mass media. In focusing on portraiture, a genre which privileges the relative psychological interest of its subject, this exhibition attempts to locate the manner in which the development of an identity for mass consumption adopts the traditional viewer/subject relationship, with the result that the viewer tends to "lose themselves" in the protectiveness or superiority of the featured personality.
Democratic societies, presumed to be free from totalitarian style cults of personality, often employ persuasion, seduction, and manipulation as part of a phenomenon known as "soft power", a seemingly benign means of governmental influence on mass media whereby a citizen's position is more or less co-opted through overwhelming saturation of "preferred" information. The influence on mass sentiment by public relations firms, lobbyists and the frequently used "anonymous" sources within the news, when taken as a whole, is usually dismissed as conspiratorial. But when considered in practical terms (success or failure), the effectiveness of a democratic government's use of mass media to convince the public, for example, that it is in their best interest to go to war, recent history has proven these methods to be extremely reliable.
Depending on whether the goal is to make the subject appear "familiar" or "in charge", remnants of various types of portraiture, from the snapshot to the honorific, are usually visible in the fabricated image of a politician or celebrity. While maintaining a significant relationship to the genre of portraiture, the artwork and archival material in "The Cult of Personality, Portraits and Mass Culture", represents a broad range of responses to the creation of identity cults via mass media, offering critical and sometimes ironic commentary on the construction, dissemination, and consumption of larger than life figures within the public arena.
carriage trade 94 Prince St. 2nd fl New York, NY 10012
contact: Peter Scott / Director
phone: 718.483.0815
email: pscott@carriagetrade.com
Eva Yaa Asantewaa, a New York-based dance writer and blogger, visitedThe Prosodic Body by Daria Fain and Robert Kocik, presented in a bank vault at 14 Wall Street, an LMCC Swing Space.
Fain imposes no directions about what to do in this chamber. Each visitor is on his or her own, and everyone's experience will be unique. Once my brain settled down, I merely enjoyed relaxing into the dark, sensing the faint odor of its wall's wool padding, and connecting to the reality of the building.
Thursday, February 28, 6-8PM
LMCC Project Space | 125 Maiden Lane, 2nd Floor
Join us as Shoplifter (a.k.a Hrafnhildur Arnardottir) presents a preview of the tableaux vivant she is creating for an upcoming performance with Nico Muhly at The Kitchen. The tableaux will draw on three bodily elements: bone, skin, and hair.
About the performance
With compositions that have been performed at some of the world’s most prestigious venues, a critically lauded first album, and collaborations with artists ranging from Philip Glass to Björk and Antony, Nico Muhly is, at 26, being acknowledged as one of the most exciting composers and pianists of his generation. The Kitchen has commissioned a new work from the artist, in which he collaborates with the Icelandic artist and fashion designer Shoplifter (a.k.a. Hrafnhildur Arnardottir). Muhly will premiere the work on Friday, March 7 and Saturday, March 8, performing with the accompaniment of Sam Amidon (banjo and voice), Nadia Sirota (viola) and Sam Solomon (percussion). Performances will take place at 8:00 P.M. at The Kitchen (512 West 19th Street). Tickets are $10.
The work Muhly will perform at the Kitchen comprises three new chamber music pieces, each with a different tableaux vivant designed for it by Shoplifter. Each of Muhly’s pieces represents one of three bodily elements: bone, skin and hair. The last of these has been the focus of Shoplifter’s recent sculptures and wall murals (as well as her first collaboration with Björk: the human hair sculpture on the cover of her 2004 album, Medúlla). Each of Muhly’s pieces will also prominently feature one of the three costumed musicians performing with him. The culmination of the evening will be a performance of Muhly’s The Only Tune, a retelling of the old folk tale The Two Sisters, a chilling murder ballad in which a young girl’s body is butchered and turned into a fiddle. http://www.thekitchen.org/
About Shoplifter
Shoplifter (a.k.a. Hrafnhildur Arnardottir) was born in Reykjavik, Iceland and currently lives and works in New York. Underlying Shoplifter’s work is an obsession with vanity, self-image, beauty, fashion and fetish. She explores these themes through a variety of mediums including installation, sculpture, photography, drawings, paintings and performance. Recent projects include an ongoing collaboration with the singer Björk; an eighty-foot wall-mural and a wall-sculpture commissioned by Nike for a 2006 exhibition in New York; Siamese Rapunzels: The longest live human hair braid in the world created for Deitch Art Parade in 2007; and solo shows in Reykjavik, Iceland. Arnardottir’s upcoming shows include a solo exhibition at i8 Gallery, Reykjavik, Iceland; a collaboration with Eli Sudbrack of a.v.a.f. at Deitch Projects; and various other shows in Canada, the U.S. and Iceland. In 2006, The Lower Manhattan Cultural Council included Arnardottir in their 9-month studio program and in 2008’s Swingspace program to support her project with Muhly at The Kitchen. Arnardottir is also a recipient of the Visual Artists' Stipend Fund, financed by the Icelandic government.
Xaviera Simmons, a 2006-2007 LMCC Workspace resident artist, has been awarded the Driskell Prize!
From artnet magazine:
Brooklyn-based artist Xaviera Simmons (b. 1974) has won the 2008 David C. Driskell Prize, awarded by the High Museum of Art in Atlanta. The Driskell honors "a scholar or artist in the beginning or middle of his or her career whose work makes an original and important contribution to the field of African American art or art history," and comes with a purse of $25,000. Simmons is best known for a 2006 installation at Art in General in New York, for which she transformed the space into a salon with felted floors, a DJ booth and impromptu jazz performances (the piece, called "How to Break Your Own Heart: Visitors Welcome," traveled to the Contemporary Arts Museum in Houston and the Zacheta National Art Gallery in Warsaw.) Past winners of the Driskell, which was established in 2005, are scholar Kellie Jones (2005), artist Willie Cole (2006) and scholar and curator Franklin Sirmans (2007).
NEW VISIONS:POETS & ARTISTS IN COLLABORATION
Tuesday, February 26th, 7:00pm
Martin E. Segal Theatre, The Graduate Center
The City University of New York
365 Fifth Avenue, New York, NY
Poet C. D. Wright and photographer Deborah Luster, with Alice Quinn.
Co-sponsored by the Center for the Humanities, CUNY Graduate Center.
Admission is free.
****
THE NEW SALON: READINGS AND CONVERSATIONS WITH EMERGING POETS
Thursday, February 28th, 7:00pm
Lillian Vernon Creative Writers House, New York University
58 West 10th Street, New York, NY
A reading and moderated discussion, with a reception to follow. Featuring
Rachel Zucker, with Deborah Landau. Co-sponsored by the Creative Writing
Program, New York University.
Admission is free.
Michael Goliad is stuck!
He is stuck in his life, stuck on himself, and now...
He's stuck in the Navy!
As the US revs up for the first Gulf War, Mexican-American, Michael Goliad joins the Armed Forces to pay for college, but soon realizes what it really means to become Property of the U.S. Navy. Now Goliad must fight for love, life and the pursuit of manhood as he is shipped off to his first duty station in the Philippines. All he wants is to be his own man, but the Navy and a certain gorgeous Filipina have other plans. With the help of female recruit Jeri Lewis, his fun-loving bunk mate Schotz and a pair of tyrannical Company Commanders, Goliad is bound to be haze gray and underway.
February 7th to the 23rd, 2008 @ The Kirk Theatre at Theatre Row
410 West 42nd St. (9th Ave)
Tickets are $18
www.LivingImageArts.org
(212) 279-4200
STARRING
Bryan Close* Helen Coxe* Andrew Eisenman*
Laura Hall Kyle Masteller Banaue Miclat
Raushanah Simmons* Renaldy Smith Kristin Villanueva*
Set ELISHA SCHAEFER
Lights WILBURN O. BONNELL
Costumes KIM WALKER
Sound GEOFFREY ROECKER
Stage Manager JAY KOEPKE
Graphic Design JAY BALLESTEROS
Producer/Artistic Director PETER MARSH
Production Supervisor/Executive Director MIA VACULIK
Associate Producers KENDRA DOLTON TYLER PENFIELD
Press Representative LANIE ZIPOY
ABOUT THE PRODUCTION:
Born and reared in Dallas, Texas to a Mexican mother and American father, Playwright Tony Zertuche served in the United States Navy from 1991-95 before attending The University of Texas at Austin where he earned a Bachelors Degree in Radio-TV-Film, with a concentration in screenwriting and a minor in Japanese Studies. His short play Men are Pigs was presented as part of Living Image Arts' short play series Committed last spring. It was hailed as "Hilariously endearing... with performances that are both heartfelt and humorous!" by OOBR and "Thoughtful original artistry" by OffOffOnline.com.
Eliza Beckwith has directed a number of world premieres, primarily with New Directions Theatre (where she is Co-Artistic Director) and at Ensemble Studio Theatre. Full-length plays with N.D.T. include Triptych, Random Harvest and The Flid Show described as"Absorbing and often poignant."- Charles Isherwood, New York Times, all by Richard Willett, and F-Stop, by Olga Humphrey. She has directed four plays in the annual E.S.T. Marathon of One-Act Plays, including The Once Attractive Woman, Little Airplanes of the Heart, and Ukimwi.
Now in its fifth season, Living Image Arts has produced Committed, Hello My Name Is..., I'd leave You But We Have Reservations, and How to Lose Your Lover in 6 Short Plays at Theatre Row, 2004's Awake, and the defining Brooklyn multi-media arts event of 2003, A Swell Night Out. Living Image Arts is committed to artistic collaboration, nurturing the development of emerging artists, and creating compelling and innovative new work. LIA Artistic Director Peter Marsh produced the critically acclaimed production of Horton Foote's The Traveling Lady, which received a Drama Desk nomination, and Romulus Linney's Klonsky and Schwartz for Ensemble Studio Theatre.
Chamber Music America Accepting Applications for the Doris Duke Jazz Ensembles Project
Application deadline: February 28th, 2008
A program of Chamber Music America, the Doris Duke Jazz Ensembles Project New Works: Creation and Presentation Program ( http://www.chamber-music.org/programs/gr_jazz.html
The program supports the creation and performance of new compositions by established ensembles with a documented performance history. The program also recognizes ensemble members and their individual and collective contributions to the compositional process. Professional jazz ensembles that are led by a composer/performer or are cooperatively run are eligible. Only one member of an ensemble may be the designated composer on an application.
To be eligible, the ensemble must:
be an Organization-level member of Chamber Music America;
perform original music that includes improvisation as an integral aspect of its composition and performance;
have a demonstrated and documented history of performing together with an ongoing core of musicians;
have given a minimum of ten public performances within the past two years;
range in size from two to ten members;
and be based in the U.S.
The composer must be a U.S. citizen or permanent resident.
Grants of up to $15,000 each are available for ensembles ranging from two to ten members.
Over 100 commissions have been awarded to jazz ensembles through this program since 2000. Past grantees include: Greg Osby, Jovino Santos-Neto, Jane Ira Bloom, Don Byron, and many others.
For complete grant program guidelines and information on CMA membership, visit the CMA website at www.chamber-music.org or contact Susan Dadian at sdadian@chamber-music.org.
The Keyholder Residency Program offers emerging artists free 24-hour access to professional printmaking facilities to develop new work and foster their artistic careers. Residencies are free and one year long, starting on April 1st and October 1st each year, and they take place in the Artists’ Studio, including the solvent/etching area and the darkroom.
Next deadline: March 1, 2008
Keyholders work independently, in a productive atmosphere alongside other contemporary artists. They are not required to have any printmaking experience; facilities can be used for creative work in various mediums. Basic instruction in printmaking is available for new Keyholders who are interested. Technical assistance is not included in the program, but is available at additional cost.
Participation is limited and competitive. Applications are evaluated by a committee of peers, based on the quality of submitted artwork. Artists without a studio space are encouraged to apply.
Keyholder Residency includes:
24-hour studio access
$500 stipend
storage space
basic supplies (newsprint, blotters, solvents, cleaners)
20% discount on all Printshop classes
free digital documentation of selected works produced during the residency
inclusion in the Printshop's permanent art and image collection
promotion in the Printshop's quarterly newsletter and website
opportunity to show new work in exhibitions, open studio events, and other public events presented by the Printshop
Next deadline: March 1, 2008
Drop off or postmark, no exceptions. The Printshop will be open on Saturday, March 1, 2008 until 10pm.
Lower East Side Printshop, Inc.
306 West 37th Street, 6th Floor
New York, NY 10018
t. 212 673 5390
f. 212 979 6493
e. info@printshop.org
Lower East Side Printshop, founded in 1968, is a non-profit art center that supports contemporary artists of all creative backgrounds by offering them studio space, career services, and expertise in
printmaking to develop new work through experimentation and collaboration.
In our classes, workshops, and exhibitions, a broad and diverse audience of enthusiasts, professionals, and institutions can learn about and collect prints.
Concubines of New York
photography & installation by Shen Wei
January 28 - February 22, 2008
CAAC Gallery 456
456 Broadway, 3rd Floor
New York, NY 10013
Tel. 212-431-9740
Gallery Hours: M-F, 12 PM - 6 PM
www.shenphoto.com
Frere Independent's 5th edition of the PooL Art Fair in New York
Deadline: February 22nd, 2008
Frere Independent is proud to present its annual independent art fair, PooL. This the fifth edition of the PooL Art Fair in New York and is slated for March 28, 29, and 30th at the Hotel Chelsea. Focusing largely on artists that do not have representation in art galleries, the fair's ambition is to create a meeting ground for artists, art dealers, curators, and buyers. PooL is the successor to the acclaimed Independent Art Fair (November 2000), a groundbreaking exhibition that attracted thousands of US and international visitors. The simple, modest approach of the PooL Art Fair offers an exciting alternative to the "art fair" experience for dealers and collectors, as well as the general public. PooL was created by Frere Independent, a non-profit arts organization that also produces the DiVA Fair. The artists will use the Hotel Chelsea's rooms to show their works, creating an intimate setting. Each artist, or small group of artist will transform a hotel room into an exhibition space. The show will be comprised of artists, artists' collectives, curators. Hence, the fair will serve as an invaluable resource for the artistic community and the general public. Our goal with the PooL Art Fair is to provide the public with access to art and encourage them to support emerging artists.
Frere Independent's 5th edition of the PooL Art Fair in New York.
Deadline: February 22nd, 2008
To apply, please send the following (via e-mail):
1. 4-6 jpegs of work labeled as follows: artistname.title (please try and constrain each image to less to 1MB)
2. ONE word document with the following information:
Name (First, Last)
Telephone
Address
E-mail
URL
Contact person (if different)
Artist's statement
Information on attached work, sorted by file name
Send all materials in ONE e-mail to: meera@frereindependent.com
* Important notification from the fair management
The PooL Art Fair is different from all other art fairs in the US. Although a tradition in France since the famous Courbet's salon des independents, there are no art fairs in the US dedicated to artists that do not have representation in galleries. This particularity sets us apart from other art fairs.
It is also important that all artists understand that PooL is an exchange platform created for the artist. It is with the communication effort of each artist that the fair will be successful. In other words, each artist is responsible for their own success. Please invite every one you know, every one you meet and most importantly, every one you want to know.
Space is limited, rooms will be assigned as we receive and accept applicants. The show could fill up before the deadline arrives, so please do not wait for the last minute to apply!
PooL New York 08 | Hours
Thursday March 27th Check-in time TBD
Friday March 28th 12pm- 8pm
Saturday March 29th 12pm- 8pm
Sunday March 30th 12pm- 8pm
RULES AND REGULATIONS
Promotion
PooL is an artist run Fair, therefore it is very important that all participating exhibitors do their best to promote the show. There are multiple shows going on in New York during this week in March and participating artists should use the opportunity to promote their presence at Pool while visiting other venues. The following list contains the primary vehicles used for promotion by Frere Independent and its participating artists.
- Invitation cards: 15,000 (to be distributed by fair management)
- Opening night party Tickets: 5,000
- Cards distributed through the following channels: FI mailing list, Chelsea Hotel website, and participating artists
- FI promotion in conjunction with the DiVA Fair (on site, through mailings)
- Media sponsors and articles
- E-mail Newsletters and e-vites
- Targeted audience (galleries, curators, art enthusiasts
- Online presence
...and of course, word of mouth! Artists are to promote PooL in their own way.
Exhibition Information
- All participating artists must be approved by Curator/Director of Exhibitions
- Participation fee for PooL New York 08 will be $1650 for a standard room and $2000 for a suite. Methods for payment will be made known shortly.
*Note the participation fee covers the hotel room and Frere Independent's marketing
- Artists will use hotel guest rooms to display works.
- No themes required, and all media is encouraged (artists are encouraged to present site specific works).
- Works will be available for sale online up to two weeks prior to opening, and during the exhibition.
- Exhibitors will not be allowed to leave a guest list at the front desk. Exhibitors must give any patrons they wish to have free entry a complimentary pass. There will be no exceptions to this policy.
Rules for artists
-All rooms must be left in the same condition they were in at the time of check-in. For hanging artwork we recommend using a product called Command by 3M which is available at Staples. It allows for hanging artworks without damaging any surfaces.
- Artists must fall in accordance with the hotel's regulation on room damages. Artists will have to provide a credit card when they check in to insure responsibility.
- Exhibitors are responsible for all content inside the room including hotel furniture and personal belongings. There is no insurance contracted by the hotel or fair organization. Exhibitors can not remove hotel property from the room at any time.
-All rooms must observe exhibition hours. Failure to do so will result in a $200 penalty per occurrence. This applies to opening and closing time. There is not exception to this rule. Policy will be enforced.
-Artists are responsible for making signs for the doors of their rooms.
-Artists may share rooms, but one person must be designated as the contact person.
-Artists that do not respect the rules will be escorted out. Works stay online. No refunds.
The PooL Art Fair is organized by Frère Independent.
www.frereindependent.com
info@frereindependent.com
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