Social Sculpture Commission
Throughtout 2006
As recipient of the Social Sculpture Commission, Preemptive Media has prototyped portable air quality measurement kits and worked with the community to build and deploy the kits, monitor various air pollutants in Lower Manhattan, as well as created data visualizations of their findings.
The Project
From 2001-2002, the Environmental Protection Agency collected extensive environmental data from the World Trade Center site and nearby areas in Manhattan, Brooklyn and New Jersey. Since, the EPA no longer publishes daily summaries. For their Social Sculpture Commission, Preemptive Media, a collective of artists, activists, and technologists, developed portable AIR (Area’s Immediate Reading) kits designed to measure and record exposure to pollutants over the course of a day. These kits collected data on major pollutants in the area such as carbon monoxide, sulfur oxides, nitrogen dioxide, lead and noise. The resulting data and creative visualizations was accessible and free to the public through a website and visitor center in Lower Manhattan. Preemptive Media’s AIR kits, and resulting website and visitor center, was an alternative and self-monitoring system created to be maintained and used by the people who live, work and visit the area. The Social Sculpture Commission is part of Cities, Art, and Recovery 2006.
This project and the SSC were intended to develop a new process oriented, socially based artwork that integrated the community into the creation and presentation of the work and affects the world around them. This was the inaugural Social Sculpture Commission, offered jointly by Lower Manhattan Cultural Council and Eyebeam. For more information about this project, visit the project website.
Preemptive Media
Preemptive Media is a group of artists, activist and technologists interested in utilizing emerging policies and technologies to create new opportunities for public discussion and alternative outcomes. Preemptive Media is a collective of artists, activists, and technologists: Beatriz da Costa, Jamie Schulte and Brooke Singer.
About The Social Sculpture Commission
The Social Sculpture Commission was created to support interdisciplinary, socially engaged art works that feature creative practitioners working collaboratively with the community. The program, which ran annually from October through August, provided a grant of production services at Eyebeam's studios (including moving image, sound production, programming and systems design), public exhibition support from LMCC and a stipend for producing and presenting the work.
The concept of Social Sculpture was coined in the 1970s by Joseph Beuys to refer to creative acts that engage with the community and respond to the world around them. Thinking of the artistic practice as participatory, these ideas were rooted in the belief in the collective versus the individual and the engagement of a larger community into the creation and presentation of the work. Eyebeam and LMCC conceived of this commission to explore how contemporary artists/ collectives are exploring and translating this concept through contemporary technologies and means of communication.
